The Wilder Ride is a podcast where we look to explore and celebrate the films of Gene Wilder, using the movies by minutes format. We have grown up seeing Gene Wilder play everything from a scientist, to a gunslinger, to a man infatuated by a woman in red, to Mr. Willy Wonka himself. But always, at the heart, there is a depth and a warmth of a real human being bringing those roles to life in such a way as to leave an indelible impression in our hearts and minds.
We want to help others relive and/or rediscover those films, while hopefully turning a younger generation onto one of the most gifted performers to have graced the silver screen. Movies like Young Frankenstein, The Woman in Red, Silver Streak, Blazing Saddles, The Producers, Willy Wonka and the Chocolate Factory, The Frisco Kid and Haunted Honeymoon represent such a wide range of characters and story lines where Gene Wilder took on a role and made it his own.
We appreciate you taking time to visit our site and to learn a little more about us, our guests and our efforts to bring this project to life. It takes a lot of work, energy and time to bring each episode to life. But, as they say in theatre, it is all for naught if no one is in the audience. So, we thank you again for being out there and for listening.
Help us out on this Wilder Ride
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We feel like we cannot say it enough, so we will say it again — THANK YOU! Our aim is to do justice to the films and the memory of Gene Wilder and have a lot of fun along the way. We really hope, it will be a wild ride that gets “Wilder” by the minute!
Season One – Young Frankenstein
Today’s release…Episode 106
“An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.”
Starring – Gene Wilder, Teri Garr, Marty Feldman, Cloris Leachman, Madeline Kahn, Peter Boyle and Kenneth Mars.
Written by – Gene Wilder and Mel Brooks
Directed by – Mel Brooks
From its opening title (which manages to satirize “Frankenstein” and “Citizen Kane” at the same time) to its closing, uh, refrain, “Young Frankenstein” is not only a Mel Brooks movie but also a loving commentary on our love-hate affairs with monsters. This time, the monster even gets to have a little love-hate affair of his own.”
Young Frankenstein is a film I re-explore at least once a year, typically around the Halloween season, and for good reason. It’s listed as one of the greatest comedies of all time by the American Film Institute (14th), Bravo TV (56th), Rolling Stone (5th), and was even selected for the Library of Congress National Film Registry. It’s a beloved masterpiece that will hopefully be respected by moviegoers for years to come.”
YOUNG FRANKENSTEIN is Brooks’s most accomplished work, combining his well-known brand of comedy with stylish direction and a uniformly excellent cast. The handsome black-and-white cinematography really captures the look of an early 1930s film. The direction achieves a seemingly impossible task, balancing Brooks’s off-the-wall humor within the framework of the style of a classic Universal Frankenstein film. The Frankenstein castle, with its cobwebs, dust, skulls, original lab equipment, and strange goings-on, could easily have been inhabited by Boris Karloff or Bela Lugosi.”